This is sound guy and good friend, Tony. Love his shirt picturing the big fish made up of small fishes about to devour the fish who thinks he's big.
My final weeks at Commerce, when not on the phone tying to explain what was going on in SC to producers (previously) interested in shooting here, were spent analyzing details of money spent by films in SC. At the same time, Joe Taylor refused to approve an outside study analyzing the same numbers, saying he wanted to keep the analysis in house rather than at the University of South Carolina.
The research office was one floor up from my office. I went upstairs and asked the person working on the data if I could help decipher what it meant, as film can be a bit challenging to understand (i.e., what does a best boy electric do? why do you need C-47's in lots of 1000, do we have film makeup trailers in SC? etc). The researcher said my help wouldn’t matter, that Joe Taylor didn't allow him to do "real" research. If the numbers were not what he wanted to see, he said Joe Taylor would revise his question until the numbers were what he wanted. This researcher was burning up his vacation time looking for another, what he called "more ethical" job.
One of my favorite "results" from the Joe Taylor approved research was his claim to Governor Sanford that film professionals wages average $8-$10 an hour. This was far different than what I saw on the same spreadsheets his research department used, so I tried my hand at Taylor math.
Some film techs and production personnel work both pre and post production, some work only production proper, some day play. If you take all the film technicians, and all the extras (background talent) and the police officers that come in for the one day big scene and so forth, and assume they ALL work every day of the entire show, and then divide all those salaries by the number of days on the show, you may come close to that per hour salary.
Or, you might just sit back and say, hmmmmm.
When I told a fellow film technician about Taylor's average film wages, he responded, "I'm sure Sanford didn't believe that line, I charged him WAY more than that on his last political campaign ad."
I think rock bottom of the union scale for a film tech is around $22.50 an hour. There are at least 2 hours a day at time and a half as well. Double time after 10 hours, which is a normal shoot day, but many film projects go over. That doesn't even take into account retirement benefits, workman's comp, social security, golden pay on the sixth day and meal penalties.
In other words, our film industry is not in danger of being overrun by desperate, non-documented workers, unless it is SC film techs sneaking into Canada so we can find work.
Another Joe Taylor saying was, “I can fly over Columbia dropping money out of a helicopter and have more impact than these film incentives.”
Well, after weeks of refusals, Joe Taylor decided he better hand over the raw data we had been analyzing to the legislators requesting it. The data was analyzed by a group at the University of South Carolina. Their findings were announced at a press conference I attended last week. Here is a quote from The State newspaper. The photo shows Army Wives producer Barbara Del-I-can't-spell-asandro attending the press conference. Army Wives was allowed to maintain the intended incentive package. They shoot in Charleston.
At the height of South Carolina’s film incentive program in 2006-2007, seven movies created about $25 million in total economic impact for the state, according to a USC study released Tuesday.
South Carolina’s benefits from the financial incentives given to film production companies outweighed the costs to the state, the study concluded.
I want to be under that helicopter. With Joe Taylor in charge or our state’s commerce development, who needs the lottery?
To support the Film Incentive Bill H 4815, currently in the SC House, please contact your representative.